# Third and sixth

## Overview

**Audio: third and sixth (0:08)**

**third and sixth** plays the interval of a third and its inversion, the sixth, on a piano. The *third and sixth* figure shows the score consists of the following:

- Bar 1 is an interval of a minor third, DF.
- Bar 2 is an interval of a major sixth, DB.
- Bar 3 is a modal scale in the key of D Dorian.
- Bar 4 is the world-famous scale of C major.

The fourth pair of intervals in Pythagorean tuning are constructed in the same manner as all the rest of the intervals by using the frequency ratio of a fifth, 3:2.

The Pythagorean minor third is constructed by multiplying 3:2 three times to obtain the ratio 27:8 and halving it to obtain the octave below, 27:16, which is a minor third.

The major sixth is obtained by inverting the major third, 27:16, to obtain 16:27, then doubling it to get the octave above, 32:27, which is a major sixth.

Pythagorean tuning has now provided four pairs of intervals: unison and octave, fourth and fifth, second and seventh, and third and sixth. Together, they produce a total of seven notes plus the octave.

Put the seven notes in alphabetical order and something marvellous happens, they form a scale. The scale of D Dorian is DEFGABC. The scale of C major is CDEFGAB. These seven notes are the basis of modern scales. It is no coincidence either, Pythagorean tuning is the reason that there are seven notes in a scale.